Recently though, I discovered a fairly simple way to create a really fun paper texture (seen above) to add over your work. There's also the grain filter effect that you can apply in Photoshop (Comic artist Paolo Rivera mentions how he does this in his Comic Book Coloring Tutorial.) All of these methods are totally valid and I've used all of them at one time or another. Webster, Ray Frenden, Paolo Limoncelli (DAUB Brushes), Brian Allen, and many others. If you have a more painterly style you can use textured brushes, from brush makers like Kyle T. There are of course a variety of ways to remedy this. Working digitally is fantastic for so many reasons but it can sometimes result in your art lacking the tooth of traditional artwork. If you do artwork digitally, or color scans of your traditional art and digitally color them, you may have run into this. ![]() Your line work (if you're a line artist) is the way you want it, you have an eye catching color palette, your composition is dynamic, but there's something about it that still feels just a little off. So you've made a great illustration in Clip Studio Paint or Photoshop.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |